clockwork orange essays

clockwork orange essays Stanley Kubrick's A Clockwork Orange, which was adapted from Anthony Burgess's novella, is referred to as an example of "ultraviolent" text. This film should not be viewed as pornographic or lewd, as it has been seen in the past, but should be seen for it's artistic value. Often times the viewer of the film sees only what is place directly in front of his/her eyes. Dissecting A Clockwork Orange would be beneficial to the watcher because it is one of the most artistic films in it's time. The idea of a clockwork orange is to raise moral issues of a human being. Many times this theme is overlooked while watching the movie. Anthony Burgess explains the defintion of a clockwork orange as well as the theme of his novel in the preface he published in modern american texts: "...a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound by God or the Devil or (since this is increasingly replacing both) the Almighty State. It is as inhuman to be totally good as it is to be totally The scenes are constructed in a musical-esque ideal. The violence is choreographed to music. In contrast to most controversial movies, we see these heinous acts performed by Alex, the protagonist, as art in motion and, in some cases, even feel appreciation for them. The viewer never sees the outcome of his victims. We never see how Alex has affected them. Violence is made light of in this film until it turns on Alex. Then the viewer sees how violence can affect one person, Alex. The viewer has connected with Alex throughout the entire film, so when this occurs we feel hatred for the An eye motif is dominant throughout the film and makes prolific use of close...